Name: Eleanor Rigby
Duration: P00H04M51S
Description: Bossa version

Eleanor Rigby

from Beatles in Bossa by Minas - Orlando and Patricia

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CD version, 6-panel Digipak, 14 tracks. Minas' 8th full-length album, reimagined in Brazilian styles of Bossa, Samba, Partido Alto, Afoxé, Marcha Rancho, Samba in 3/4, Capoeira, and Frevo.

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8

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Beatles in Bossa, Num Dia Azul, Sampler, Symphony in Bossa, Bossa Nova Day, In Rio, Blue Azul, and Dreams of Brazil. , and , .

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about

Bossa version

lyrics

Eleanor Rigby. Lennon/McCartney

Ah, look at all the lonely people
Ah, look at all the lonely people

Eleanor Rigby picks up the rice in the church where a wedding has been
Lives in a dream
Waits at the window, wearing a face that she keeps in a jar by the door
Who is it for?

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Father McKenzie writing the words of a sermon that no one will hear
No one comes near
Look at him working, darning his socks in the night when there's nobody there
What does he care?

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Ah, look at all the lonely people
Ah, look at all the lonely people

Eleanor Rigby died in the church and was buried along with her name
Nobody came
Father McKenzie wiping the dirt from his hands as he walks from the grave
No one was saved

All the lonely people (Ah, look at all the lonely people)
Where do they all come from?
All the lonely people (Ah, look at all the lonely people)
Where do they all belong?

credits

from Beatles in Bossa, track released May 27, 2022
Orlando Haddad (guitar, vocal), Patricia King Haddad (keys, vocal), John Swana (EVI), Cyro Baptista (percussion), Andrew Neu (sax), Jim Stager (bass), Tom Cohen (drums)

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about

Minas - Orlando and Patricia Philadelphia, Pennsylvania

Minas (Orlando and Patricia) takes Brazilian and American roots to create a sound that is fresh and innovative, from ballads tinged with melancholic traits of Blues and Choro, to Folk coasting on the subtle coolness of a Bossa Nova pulse, to upbeat Sambas elaborated with instrumental jazz improvisation, scat singing and whimsical whistling. ... more